Page 4 - Hawaii Island MidWeek - June 9, 2021

4 HAWAI‘I ISLAND MIDWEEK JUNE 9, 2021
By deftly roping in all opportunities that come his way, Brad Kalilimoku is proving that no challenge remains too great for this ascending actor and modern-day cowboy.
Triumphs seem to come easy for Brad Kalilimoku, a former University of Hawaiʻi line- backer-turned-Hollywood star. All it takes is a quick addition to his bucket list and his seem- ingly far-fetched dreams come to fruition. Such is the case when he landed his first-ever acting gig on Hawaiʻi Five-0 in 2017. Since then, the Pauoa Valley native has taken the reins on his future in the film industry, ready for anything that comes his way.
Once guest-starring on a hit TV show was crossed off, the Roosevelt High School alum quickly replaced it
The audition just so hap- pened to be for Netflix’s Find- ing ʻOhana, an Oʻahu-based film that tells the story of two New York-raised siblings with local roots. Kalilimoku plays Kua Kawena, the late husband of Leilani (portrayed by Kelly Hu), and father of Ioane (Alex
“It’s funny that the mov- ie is called Finding ʻOhana because we found ʻohana in each other,” says Kalilimoku. “Me, Alex, Kelly, Kea, Lind- say (Watson), we all became pretty close. It didn’t feel like a foreign cast, it just felt like our families all linked up and
“I hope that other people who watch it can see our culture in this way. It’s all about family — that’s why it’s called Finding ʻOhana and not ‘Finding Treasure,’” he says with a smile.
with a higher goal: to see his face on the streaming silver screen. And, of course, in typical Kalilimoku fashion, he received a life-changing call not long after.
a few things and talked about something emotional, like family, and I thought, ‘Oh no,’ because my grandma passed away not too long before this.
Aiono) and Pili (Kea Peahu). Though he makes a brief ap- pearance, his heartfelt presence undoubtedly leaves audienc- es with “chicken skin.” The movie debuted in late January to much fanfare, especially to those who can recognize the striking backdrops and catch all of the L&L Hawaiian Bar- becue references.
we became friends. We still talk till today.
who graduated from UH Mā- noa with a bachelor’s degree in Hawaiian language — when he considers auditioning for a part, but that wasn’t always the case. In fact, his introduction to filmdom was a shoot that took place at Dole Plantation. His character’s name? The Pine- apple Guy.
“I was in Bali and the inter- net was spotty, and my agent can’t get a hold of me,” he remembers. “She sends me an email letting me know that this production is trying to get a hold of me. I told my business partner, ‘Get off your comput- er because we need all the reception we can get.’ Then, (director) Jude Weng calls me, and ... she literally does an audition with me on the spot through Skype. She asked me
“So, I’ m over here in the hotel room and I bring out my emotional side. I start crying — and she loved it. My agent called me back in 10 minutes and told me I booked the role.”
“I really respect Jude and the whole crew, just because they were super sensitive about Hawaiian culture,” he adds. “They did their homework, they reached out to our com- munity, and they really tried to see who was who and what knowledge they had.
“I had a sarong wrapped around me and I had a cape with no shirt underneath, and then my hat was this pineap- ple-looking thing,” he recalls with a laugh. “I had to stick my hands out and catch my ‘Hawaiian goddess,’ and I thought, ‘Wow, (people) pay
Accurate representation is paramount for Kalilimoku —
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